![]() To celebrate the film’s indelible legacy, we spoke to many of the players behind it-three decades later, every last one of them has become a legend in his or her own right. 15th has Wild Style looking more vibrant and pristine than ever. The Beastie Boys and Cypress Hill both used snippets of dialog from Wild Style for classic early-’90s albums while Nas, De La Soul, and AZ are among those who have sampled the movie’s angel-dusted soundtrack and score.ģ0 years later, a new, remastered Blu-ray and DVD re-release is in stores on Oct. Released independently in a handful of theaters, the movie wasn’t a box-office smash, but future generations of hip-hop fans and artists alike made sure it remained a cult classic. The year the film was released, Run-DMC dropped their first single, “Sucker MCs,” and hip-hop quickly began exploding from a local sound to the global juggernaut it is today-which has only made Wild Style, with its pitch-perfect time capsule of hip-hop culture in its adolescence, that much more indispensable. It’s become a Magna Carta of sorts, a founding document for a culture that at that time was unknown beyond the streets of the five boroughs. The film is defiantly low-budget and raw, but that didn’t lessen its impact. The setting is hip-hop’s nursery, the South Bronx, at its run-down grimiest the leads are played by real-life graffiti legends Lee Quinones and Lady Pink, then fresh-faced street kings Fab 5 Freddy co-stars, and the Rock Steady Crew is shown busting moves pioneering rappers and DJs such as Grandmaster Flash, the Cold Crush Brothers, Kool Moe Dee, Busy Bee and other old-school legends are captured performing in their prime. It’s not a documentary, but at time it feels like one. Released in 1983, Wild Style covered all four elements of hip-hop-graffiti, MCing, breakdancing, DJing-in the culture’s earliest days. (Text/HTML/Shortcodes accepted).The best film ever made about hip-hop is also the first: Wild Style. This book is an impressive documentation of the Greek oldschool graffiti scene which has not been spotlighted up to now, what makes it especially interesting.Įnter your feedback modal content here. ![]() Even up to 1994 the writers kept an pure and naive touch to their styles and characters which still look more like late 70s and early 80s NYC graff then anything you will find in the rest of Europe at that time.īesides the great amount of often big sized photographs you will find texts by many of the earliest Greek writers such as PALADIN, DEE71, CYPHER, JASONE, WEBSTER and many more. ![]() The photographs show performing breakdance crews, copied sketches from NYC idols, backpieces and classy shots of youngsters proudly posing in front of their first pieces.īut the most interesting aspect of this book might be the fact, that while most of the European countries had an undeniable mid-80s style influence by circulating sketches from BANDO and his CTK crewmembers, you will not find any of these influences here. The amount of mostly high quality footage even from the 1980s is astonishing, especially if you realize that these shots are taken in times when almost no one owned a camera. The product is a 160 paged treasure including countless great photographic documents of the hip hop scene from 1984 to 1994. After years of research, the scanning of 15,000 photos and interviews he and Orestis Pangalos published “The history of graffiti in Greece” in 2016. So Xaritonas Tsamantakis started working on a book on the real oldschool beginnings as a tribute to the work of the people he always admired. Up to now Greece has not been in focus of that research and it still is quite underrepresented if you try to find out something about the early European hip hop movement. ![]() dig for the roots and try to research for the earliest existing documents to capture and conserve them in books and movies. ![]() Writers from the Netherlands, Italy, the UK, Germany, etc. Since a few years there is a growing interest in the impact which hip hop had in the first years after its triumphal arrival in Europe. In 1984 the graffiti writing culture has been transported from New York City to the whole world in movies like Wild Style, Beat Street and through books like Subway Art. The history of graffiti in Greece 1984 – 1994 ![]()
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